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-----Original Message-----
From: Aden Evens [SMTP:aden@xxxxxxx]
Sent: Wednesday, December 10, 1997 1:35 AM
To: deleuze-guattari@xxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
Subject: Re: BWO
Do they shift and slide into each other, opening new
possibilities and perpetually re-organizing themselves? Or do they
establish a resonance, a meter, a regularity, which may be beautiful =
like a
crystal, but is likewise just as static? I could say more. . .
### ## ###
Aden
### ## ###
But must meter, regularity be static in this sense? In musical terms I =
think not, take the The Meters themselves for example or James Brown, =
Fela Kuti - or the Morrocan music of the Gnawa, Joujouka. A lot of this =
music seems to strive towards a kind of stasis which itself becomes a =
kind of flight, a journey inside... The need for constant change I think =
is very Adorno-nian concept - the epitome of high modernism - and I =
would say rather eurocentric. Even the most improvised music (which is =
more concerned with the type of perpetual reorganisation you speak of - =
by which I suppose I mean something like Derek Bailey) is in this way =
very much based on history, a logical line of progression through time. =
Cannot repetition - which in music seems to act as line out of past and =
future into a more momentary sort of existence, also attest to the =
constancy of change, but in a different way? I wonder how all this =
relates to the BWO?
Richard
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