ART: SCULPTURE: Discussion.

From: IN%"AJENDRZE@xxxxxxxxxxxxxx" 1-NOV-1993 16:28:11.37
To: IN%"HRL@xxxxxxxxxxxx"
CC:
Subj: Addr: Re: Addr: Re: Addr: Art Censorship...

Return-path: <AJENDRZE@xxxxxxxxxxxxxx>
Received: from VUNET.VINU.EDU by ARCH.PSU.EDU (PMDF #12866) id
<01H4T344DC5S96VQ9T@xxxxxxxxxxxx>; Mon, 1 Nov 1993 16:27 EDT
Received: from VUNET.VINU.EDU by VUNET.VINU.EDU (IBM VM SMTP V2R2) with BSMTP
id 1694; Mon, 01 Nov 93 15:18:00 EDT
Date: 01 Nov 93 15:17:58 EDT
From: AJENDRZE@xxxxxxxxxxxxxx
Subject: Addr: Re: Addr: Re: Addr: Art Censorship...
In-reply-to: note of Mon,
1 Nov 1993 15:16 EDT (Attached) from <HRL@xxxxxxxxxxxx>
To: HRL@xxxxxxxxxxxx
Message-id: <19931101.151758.AJENDRZE@xxxxxxxxxxxxxx>

Howard, you work, too, sounds fascinating, especially as a process, since
that's what you actually talked about. You must have access to some
heavy duty equipment, with the CAD CAM Process. Have you ever tied that in with
Robotics? Recently, (A week?) someone on the Artist-l list was talking
about making 3D fractels (a totally different approach from yours, I'm sure, bu
t it sounded like he had robots construct the work for him, based on a program
or formula he used on Mathematica!

I'll do what I can to help develop a focus toward sculture on
Design-L. Time is a premium, because I chair a department and teach
18 contact hours as well. But I really enjoy these lists and work hard
to keep ideas flowing.

--Andy


*** Original Note ***
Partial thread listing: