From: IN%"[email protected]" "Art Criticism Discussion Forum" 16-JAN-1994
16:40:43.68
To: IN%"HRL@xxxxxxxxxxxx" "Howard Lawrence"
CC:
Subj: RE: MUSE - Eternal Network Mail Art Anthology (fwd)
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Date: Sun, 16 Jan 1994 16:37:24 -0500
From: Jamie Downs <pacarts@xxxxxxx>
Subject: RE: MUSE - Eternal Network Mail Art Anthology (fwd)
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To: Howard Lawrence <HRL@xxxxxxxxxxxx>
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On Sat, 15 Jan 1994, Cal wrote:
> The following was posted on PERFORM-L, a list dealing with performance
> art (NYU, Northwestern being the main centers).
> What's described seems yet another turn on the recent reproductions/
> originals/etc. debate. cal
>
> -------------------------------------------------------------------
> Cal Pryluck, Radio-Television-Film, Temple University, Philadelphia
> <PRYLUCK@xxxxxxxxxxxxx> <PRYLUCK@TEMPLEVM>
>
> ----------------------------Original message----------------------------
>
> I thought this may be interest..
>
> -Lucia
> ruednbrg@xxxxxxxxxxxx
>
> ---------- Forwarded message ----------
>
> "Eternal Network: A Mail Art Anthology by Chuck Welch is to be published in
> Fall 1994 by University of Calgary Press. The 42 chapter, 350 page text
> includes an index, 147 illustrations and six major appendices including the
> largest extensive listing of underground mail art zines in existence. A
> thorough listing of nearly 100 international private and institutional mail
> art archives appears in another important appendice.
>
> But what is mail art? Mail art is a paradox in the way it reverses
> traditional definitions of art; the mailbox and computer replace the museum,
> the address becomes the art, and the mailman brings home the avant-garde to
> mail artists in the form of correspondence art, e-mail art, artistamps,
> postcards, conceptual projects, and collaborations. "Eternal Network
> introduces readers to a lively exchange with international mail art
> networkers from five continents. The book include snail mail and e-mail
> addresses, fax, and telephone numbers for
> many active mail artists. Readers are invited to participate -- to
> corresponDANCE with global village artists who quickstep beyond establishment
> boundaries of art.
>
> Among the forty-two distinguished contributors appearing in "Eternal Network"
> are New York City art critic Richard Kostelanetz; physicist, poet Bern
> Porter; Director of the Museum of Modern Art Library, Clive Phillpot; famed
> Fluxus artists Dick Higgins and Ken Friedman; University of Iowa art
> historian and archival director Estera Milman, and mail art patron Jean Brown
> who has collected the world's largest assemblage of mail art material now
> undergoing documentation at the Getty Center for the History of Art and the
> Humanities.
>
> Many of the forty-two chapters appearing in "Eternal Network" are original,
> unpublished essays pertaining to the origin and history of mail art
> networking, collaborative aesthetics, new directions for mail art networking
> in the 1990s, mail art projects exploring the interconnnection of marginal on
> and off-line networks, mail art criticism and dialogue, and finally,
> parables, visions, dances, dreams, and poems that articulate the living
> mythology of mail art.
>
> Edited by Chuck Welch, an active mail artist since 1978, "Eternal Network"
> makes an important first step towards introducing mail art to non-artists,
> artists, and academic scholars. For more information send e-mail to
> Cathryn.L.Welch@xxxxxxxxxxxxx or write to "Eternal Network" PO Box 978,
> Hanover, NH 03755
>
16:40:43.68
To: IN%"HRL@xxxxxxxxxxxx" "Howard Lawrence"
CC:
Subj: RE: MUSE - Eternal Network Mail Art Anthology (fwd)
Return-path: <[email protected]>
Return-path: ARTCRIT <@PSUVM.PSU.EDU:[email protected]>
Received: from Jnet-DAEMON by ARCH.PSU.EDU (PMDF #12866) id
<01H7R9P49R188WVYKR@xxxxxxxxxxxx>; Sun, 16 Jan 1994 16:40 EDT
Received: From PSUVM(MAILER) by PSUARCH with Jnet id 0366 for HRL@PSUARCH; Sun,
16 Jan 1994 16:40 EST
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(LMail V1.1d/1.7f) with BSMTP id 8376; Sun, 16 Jan 1994 16:38:59 -0500
Date: Sun, 16 Jan 1994 16:37:24 -0500
From: Jamie Downs <pacarts@xxxxxxx>
Subject: RE: MUSE - Eternal Network Mail Art Anthology (fwd)
Sender: Art Criticism Discussion Forum <[email protected]>
To: Howard Lawrence <HRL@xxxxxxxxxxxx>
Reply-to: Art Criticism Discussion Forum <[email protected]>
Message-id: <01H7R9P49R188WVYKR@xxxxxxxxxxxx>
X-To: art criticism disscussion forum
<ARTCRIT%YORKVM1.BITNET@xxxxxxxxxxxxx>
X-cc: Multiple recipients of Art Crit
<ARTCRIT%YORKVM1.BITNET@xxxxxxxxxxxxx>
On Sat, 15 Jan 1994, Cal wrote:
> The following was posted on PERFORM-L, a list dealing with performance
> art (NYU, Northwestern being the main centers).
> What's described seems yet another turn on the recent reproductions/
> originals/etc. debate. cal
>
> -------------------------------------------------------------------
> Cal Pryluck, Radio-Television-Film, Temple University, Philadelphia
> <PRYLUCK@xxxxxxxxxxxxx> <PRYLUCK@TEMPLEVM>
>
> ----------------------------Original message----------------------------
>
> I thought this may be interest..
>
> -Lucia
> ruednbrg@xxxxxxxxxxxx
>
> ---------- Forwarded message ----------
>
> "Eternal Network: A Mail Art Anthology by Chuck Welch is to be published in
> Fall 1994 by University of Calgary Press. The 42 chapter, 350 page text
> includes an index, 147 illustrations and six major appendices including the
> largest extensive listing of underground mail art zines in existence. A
> thorough listing of nearly 100 international private and institutional mail
> art archives appears in another important appendice.
>
> But what is mail art? Mail art is a paradox in the way it reverses
> traditional definitions of art; the mailbox and computer replace the museum,
> the address becomes the art, and the mailman brings home the avant-garde to
> mail artists in the form of correspondence art, e-mail art, artistamps,
> postcards, conceptual projects, and collaborations. "Eternal Network
> introduces readers to a lively exchange with international mail art
> networkers from five continents. The book include snail mail and e-mail
> addresses, fax, and telephone numbers for
> many active mail artists. Readers are invited to participate -- to
> corresponDANCE with global village artists who quickstep beyond establishment
> boundaries of art.
>
> Among the forty-two distinguished contributors appearing in "Eternal Network"
> are New York City art critic Richard Kostelanetz; physicist, poet Bern
> Porter; Director of the Museum of Modern Art Library, Clive Phillpot; famed
> Fluxus artists Dick Higgins and Ken Friedman; University of Iowa art
> historian and archival director Estera Milman, and mail art patron Jean Brown
> who has collected the world's largest assemblage of mail art material now
> undergoing documentation at the Getty Center for the History of Art and the
> Humanities.
>
> Many of the forty-two chapters appearing in "Eternal Network" are original,
> unpublished essays pertaining to the origin and history of mail art
> networking, collaborative aesthetics, new directions for mail art networking
> in the 1990s, mail art projects exploring the interconnnection of marginal on
> and off-line networks, mail art criticism and dialogue, and finally,
> parables, visions, dances, dreams, and poems that articulate the living
> mythology of mail art.
>
> Edited by Chuck Welch, an active mail artist since 1978, "Eternal Network"
> makes an important first step towards introducing mail art to non-artists,
> artists, and academic scholars. For more information send e-mail to
> Cathryn.L.Welch@xxxxxxxxxxxxx or write to "Eternal Network" PO Box 978,
> Hanover, NH 03755
>