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Subject: CAA NEW YORK: PANEL ON CONSERVATION EDUCATION
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SPECIAL EVENT DURING COLLEGE ART ASSOCIATION ANNUAL CONFERENCE
FEBRUARY 16, 1994, 7:15 PM, INSTITUTE OF FINE ARTS, NYU
PLEASE POST, COPY, DISTRIBUTE THIS NOTICE
_______________________________________________________________
NEW YORK CONSERVATION ASSOCIATION
_________________________________________________________________
"Conservation Education," Fifth Program in 1993-1994 Series
February 16, 1994 at 7:15 pm, followed by Oak Room reception
Institute of Fine Arts, New York University
1 East 78th Street (NE corner at Fifth Avenue), New York, NY
By subscription, or at the door: $7, students $4, IFA free *
A panel discussion with audience participation, intended to widen
the scope of contemporary discussions and planning of conservation
education to include the present state and future prospects of
educational resources outside the university conservation schools.
Each panelist works with such a resource. This program is designed
for the general art community, for academic students and advisors,
and for conservators. Several pages of current information on
conservation education will be handed out.
Moderator: Sarah Lowengard, textile conservator and educator in
History, Art History and Conservation, NYC.
Lisa Ackerman is Vice President of the Samuel H. Kress Foundation.
A major source since 1929 of philanthropy in collection and
distribution of European art, in restoration of European art and
monuments, and in nurturing competence in art historians and art
conservators, The Kress Foundation has awarded hundreds of
fellowships to young conservators for further experience after
completing formal study. Originally educated in the History of
Art, Ackerman has since 1982 been increasingly instrumental in
Kress Foundation programs, which she now administers and oversees.
Thomas Branchick is Paintings Conservator (since 1981) and Head of
Department at the Williamstown Regional Art Conservation Laboratory
(Williamstown, MA, est'd 1976). WRACL trains conservation interns,
and WRACL staff including Branchick annually co-teach a required
course for History of Art graduate students at Williams College.
Mary Wood Lee is Director of The Campbell Center for Historic
Preservation Studies (Mt. Carroll, IL, est. 1979). The Center
offers mid-career training for those in the fields of historic
preservation, collections care, and conservation. Lee is a paper
conservator, previously at the Pacific Reg'l Cons'n Ctr, Honolulu.
* NYCA programs are mainly funded by suscriptions and admissions.
2/16 program also received special funding from N. Y. Conservation
Center, Inc. Our continuing thanks to Margaret Holben Ellis,
Chairman of the Institute of Fine Art's Center for Conservation,
and to Joan Leibovitz and Jenni Rodda of the Institute of Fine Art.
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Date: Wed, 2 Feb 1994 10:55:27 -0500 (EST)
From: John Scott <jscott@xxxxxxxxx>
Subject: CAA NEW YORK: PANEL ON CONSERVATION EDUCATION
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EDNET@xxxxxxxxxxxxx, [email protected], [email protected],
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MUSEUM-L@unmvma, [email protected], [email protected]
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SPECIAL EVENT DURING COLLEGE ART ASSOCIATION ANNUAL CONFERENCE
FEBRUARY 16, 1994, 7:15 PM, INSTITUTE OF FINE ARTS, NYU
PLEASE POST, COPY, DISTRIBUTE THIS NOTICE
_______________________________________________________________
NEW YORK CONSERVATION ASSOCIATION
_________________________________________________________________
"Conservation Education," Fifth Program in 1993-1994 Series
February 16, 1994 at 7:15 pm, followed by Oak Room reception
Institute of Fine Arts, New York University
1 East 78th Street (NE corner at Fifth Avenue), New York, NY
By subscription, or at the door: $7, students $4, IFA free *
A panel discussion with audience participation, intended to widen
the scope of contemporary discussions and planning of conservation
education to include the present state and future prospects of
educational resources outside the university conservation schools.
Each panelist works with such a resource. This program is designed
for the general art community, for academic students and advisors,
and for conservators. Several pages of current information on
conservation education will be handed out.
Moderator: Sarah Lowengard, textile conservator and educator in
History, Art History and Conservation, NYC.
Lisa Ackerman is Vice President of the Samuel H. Kress Foundation.
A major source since 1929 of philanthropy in collection and
distribution of European art, in restoration of European art and
monuments, and in nurturing competence in art historians and art
conservators, The Kress Foundation has awarded hundreds of
fellowships to young conservators for further experience after
completing formal study. Originally educated in the History of
Art, Ackerman has since 1982 been increasingly instrumental in
Kress Foundation programs, which she now administers and oversees.
Thomas Branchick is Paintings Conservator (since 1981) and Head of
Department at the Williamstown Regional Art Conservation Laboratory
(Williamstown, MA, est'd 1976). WRACL trains conservation interns,
and WRACL staff including Branchick annually co-teach a required
course for History of Art graduate students at Williams College.
Mary Wood Lee is Director of The Campbell Center for Historic
Preservation Studies (Mt. Carroll, IL, est. 1979). The Center
offers mid-career training for those in the fields of historic
preservation, collections care, and conservation. Lee is a paper
conservator, previously at the Pacific Reg'l Cons'n Ctr, Honolulu.
* NYCA programs are mainly funded by suscriptions and admissions.
2/16 program also received special funding from N. Y. Conservation
Center, Inc. Our continuing thanks to Margaret Holben Ellis,
Chairman of the Institute of Fine Art's Center for Conservation,
and to Joan Leibovitz and Jenni Rodda of the Institute of Fine Art.