Chris writes:
> To what class do sticks belong? what kind of ideology constitutes
> a door? this is D&G's perspective.
But at the same time, in _Cinema_1_ -- at least in what I've read --
Deleuze avails himself with perfect ease of such categories as
national schools of filmmaking (i.e. of thought), periods of intellectual
history (Romanticism, Expressionism), and occasionally even social class.
Maybe these _Cinema_ tidbits should't be interjected here? I can stop.
- malgosia
------------------
> To what class do sticks belong? what kind of ideology constitutes
> a door? this is D&G's perspective.
But at the same time, in _Cinema_1_ -- at least in what I've read --
Deleuze avails himself with perfect ease of such categories as
national schools of filmmaking (i.e. of thought), periods of intellectual
history (Romanticism, Expressionism), and occasionally even social class.
Maybe these _Cinema_ tidbits should't be interjected here? I can stop.
- malgosia
------------------