Thanks for your opinion, and, so based, I can thus say that
my utilization of calendrical coincidence as a 'leading
thematic/compositional motif' of THE ODDS OF OTTOPIA has
nothing to do with predestination, especially since all the
characters of TOOO are dead--the passing over for them has
already occurred.
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my utilization of calendrical coincidence as a 'leading
thematic/compositional motif' of THE ODDS OF OTTOPIA has
nothing to do with predestination, especially since all the
characters of TOOO are dead--the passing over for them has
already occurred.
--
The Design-L list for art and architecture, since 1992...
To subscribe, send mailto:design-l-subscribe-request@xxxxxxxxxxxxx.
To signoff, send mailto:design-l-unsubscribe-request@xxxxxxxxxxxxx.
Visit archives: http://lists.psu.edu/archives/design-l.html