Theatre-in-the-Round. ANTONIN ARTAUD (1895-1948).


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http://www.britannica.com/eb/article?eu=73830&tocid=0&query=theatre-in-the-round

also spelled Theater-in-the-round, also called Arena Stage, Central Stage, or Island Stage, form of theatrical staging in which the acting area, which may be raised or at floor level, is completely surrounded by the audience. It has been theorized that the informality thus established leads to increased rapport between the audience and the actors. Theatre-in-the-round has its roots in rituals such as those performed by the ancient Greeks, which evolved into.




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http://www.theatrehistory.com/french/artaud001.html
"ANTONIN Artaud's name is associated with a fundamental revolt against insincerity, and especially against insincerity in literature, where the written word corresponds to an attitude or a prejudice. His most cherished dream was to found a new kind of theatre in French which would be, not an artistic spectacle, but a communion between spectators and actors. As in primitive societies it would be a theatre of magic, a mass participation in which the entire culture would find its vitality and its truest expression. In January 1947, a year before his death, Artaud gave a lecture in Paris, in Copeau's old theater, the Vieux-Colombier. Among those present, and mingled with a youthful, fervent audience, were such writers as Gide, Breton, Michaux, and Camus. Artaud symbolized for all the generations in his audience an exceptional fidelity to a very great belief, a life devoted to a cause and an unflinching persistence in extolling the cause. . ."
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